四五口径女郎 (1981)

Walking home from work one night, Thana, a mute seamstress in New York Citys Garment District, is raped at gunpoint in an alley by a mysterious, masked attacker. She survives and makes her way back to her apartment, where she encounters a burglar and is raped a second time. Thana bludgeons this second assailant to death with an iron. She then keeps his .45 caliber M1911A1 pistol, dismembers the burglars body, puts the pieces into plastic garbage bags and gradually disposes of them in various locations throughout the city. She begins to have frequent nightmares and hallucinations of the first assailant stalking her, and her mental stability begins to dim.Thana is noticed by a man while she is disposing of one of the bagged body parts; retrieving the bag, he chases and frightens her. Fearing another sexual assault, she fatally shoots him. This event furthers her impulse for vengeance. Gradually, Thana transforms her appearance to become a more and more seductive bait, and sets out to kill any man who annoys her. Near the end of the film, she dons a nuns habit and red lipstick to attend a Halloween party with her boss and co-workers. Her boss tries to take advantage of her and is killed; Thana then begins a shooting spree and targets all the men present. Finally she is stabbed by a female colleague. 8.1 尽是性暴力的罪恶纽约，塑造出冷酷点四五复仇女郎。此类题材竟不卖裸露，压制血腥，费拉拉干净利落冷色暴力，闷骚坏了。男性皆可戮，万圣舞会上的哑巴修女，此段视听可称极致。救命，女主一句话不用说，整部电影就一直在换好看的衣服，还能玩儿枪。 舍不得杀女人和狗狗的45口径手枪持有者。 什么是人类之光？B级片啊！！[3.7/5.0]1.厌男症的宣泄。以从男性手中夺来的四五口径手枪为身份标示，反击男性无处不在的性暴力(罪恶横行的小巷、充斥挑逗/羞辱的街头、办公室的老板)。开头Thana连续受害那段很有魄力，干净利落。印象最深的表达是照镜子时突然伸向胸部的那只男性的手：性暴力受害的梦魇只能通过反击消解，没有一种缓和的途径。正是因此Thana从弱小的阴影中走了出来，开始张扬地表达自己的性别(口红、皮靴皮裤、高级时装)，并凶狠地击碎所有妄图剥削的男性。2.够cult够B级。血浆、暴力、尸体碎块、面具、性犯罪、丝袜陪手枪的冷艳女杀手、结尾的异装派对与修女服。可惜的是那个说了“会再来”的面具男直到最后也没出现，而他其实可以用作女杀手的成人礼(击碎梦魇)，不然Thana到了最后无差别射杀心中其实是不坚定的。从猎物变成猎人，到彻底颠覆圣女贞德的哑忍受难，进阶为无差别攻击的女魔头。没有求援也没有报警，交代了故事背景。女主路德19岁出演本片，此后似乎就陷入现实与虚幻的夹缝里，直到37岁离世再也没有惊艳的作品。很难说导演费拉拉该负多少责任，反正老头现在还好好活着。关于女权觉醒的暴力之梦，西有早一年的《女煞葛洛莉》，东有梶芽衣子的《女囚701》。西方女郎亲吻的弹头，与东方